Placeholder Poetry: “Parties Are Fun” (2016)

A good April, one and all! I mean, you wouldn’t know it here in Buffalo, where snow is still a regular occurrence. But a major recent development should remedy that soon: I’m moving back to Washington State!

The last few months were not great for my authorial drive. Being constantly stressed about finding a new job and prepping for the big move seriously cut into my free time and creative morale. But now that I’ve figured out both, I’m back on the horse with consistent writing. I also started trying to do more videos for my YouTube channel, but Adobe Premiere keeps freezing up whenever I try playing media, so that’s on the back-burner for now.

In any case, everybody still needs a day of rest, or at least a creative contingency plan for when things get busy. And if you can’t get productivity, get publicity! (relatively speaking) So I figured that, for tonight, I’d flip through my ol’ poetry folder and post an older piece that I’ve never shared before.

This is a poem I wrote after a night of ostensible partying near the end of graduate school. At the time, I was uncomfortable with how bitter and pathetic it sounded, so I kept it private. Now, however — as with my previous “delayed” poem, “Buffalone — I believe it’s gained new value as a window into my mindset circa 2016… midlife crises and all.

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Parties Are Fun

You can talk to people you know.
You can listen to pop songs.
You can eat scores of Oreos and s’mores-flavored beer,
pizza and Tostitos topped with salsa.
You can relax on the couch

when your shins and soles start to hurt.
Maybe the host who joins you and asks how it’s going
actually cares.
You can go to the bathroom to wash your face
and contemplate borrowing some lotion.
No one would know.
You can look in the shower real quick
and feel better about cleaning your own.

You can see who’s bullshitting about their relationship status.
You can see a lesbian french a gay guy
and still get nervous about hugging people
you don’t know well.
You can eat sliced starfruit for the first time.
You can drink a plastic cup of water.
You can hurl it at a pile of expensive coats past the snacks table.
Someone whose job it is will pick it up.

You can admire the decorations,
bouquets of pastel balloons and tight dresses.
You can complain about something
and the girl next to you will say “Right?”
But with a cadence confirming she didn’t really hear,
as if it’s a stage play and everyone else knows
which script to stick to.

You can say “I would be so good to you” to your crush’s back
as she entertains a loud crowd.
It’s hard to mishear eye-to-eye.

You can stare at the floor
and see nothing but slick and tacky darkness.
You can see a penny and not pick it up.
You can take people’s pictures and be thanked for it.
You can be in a picture
that won’t go up on Facebook.
You can watch people you meet weekly be happy to see you.
They’ve had a few.

You can actually boogie like nobody’s watching, and feel satisfied for a moment.

You can brush aside the spindly glimmer of hanging streamers.
You can talk about sleep paralysis with a guy for five minutes and try not to worry about why he didn’t come back from the kitchen.

You can practice smiling.
See if it sticks.

You can be complimented on your tie.
You can choose not to check your coat.
You can imagine throwing something small off the balcony
and if anyone would catch you,
but decide it’s not worth the risk.

You can stand in the middle of the dance floor snapping photos
and then go upstairs and scrutinize the throngs like a prince
or primatologist.

You can stay sober
and leave early.
You can realize you gained ten pounds since last Christmas
but at least you’re not as fat as some of these people.
You can smirk at the sight of drunks
with a shoulder to lean on.
You can feed your view of moral superiority.

You can close your eyes.
You can whistle better music.
You can talk to people you know.

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Cornell Law School: Class of 2016

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Welcome to the Wizarding World of Trevor White.

Yep! From 2013 to 2016, that’s a wrap for me on law school in the Ivy League.
What a quick three years! But, of course, it didn’t feel like that at the time. And I must confess that for months, I was ambivalent if not outright downtrodden about how I’d spent all of that. Like I’d done little else except except study and snack. But then, with motivation from within and without, I decided a few weeks ago to look both backwards and forwards with determination for the first time in a long while. And I realized… it’s not just about what I *did*, but what I *experienced*.
 –
I met Lewis Black and Penn Jillette. I saw Henry Winkler, John Mulaney, Steven Wright, the Harlem Globetrotters, and Hannibal Burress live. And the concerts! TV on the Radio, Ke$ha, The Flaming Lips, Icona Pop, Spoon, and Gordon Lightfoot. I visited France, Norway, Iceland, Finland, and even northern Ohio.
 –
I weathered a blizzard that cleared the streets of Manhattan. I helped get my team to the semifinals of an international moot court competition. I performed live poetry of both the slam and romantic varieties. I saw a blood moon and held a tarantula, though unfortunately not at the same time. I got my first story published outside of a college compendium.
 –
I made my best Halloween costume ever. I went to my first hockey game, lacrosse game, and full-out karaoke session. I sat on the senior board for the centennial issue of Cornell Law Review, and sat in the audience for the sesquicentennial of the entire school. I built my own computer.
 –
I helped stop a bee infestation during Thanksgiving. I volunteered at a soup kitchen, packaged food for third-world children, and helped build plant beds for a public park. I stood up for the First Amendment at the National Coalition Against Censorship, researched the future of AI with the Global Catastrophic Risk Institute, helped the Iraqi Refugee Assistance Project do just that, and made sure the International Human Rights Clinic continued to deserve its title. I hung out in a replica of Seinfeld’s kitchen.
 –
I made new friends, domestic and international. I drank in a bar made of ice and saw sunsets that looked forged from fire. And yeah, I got a job at a law firm. And throughout it all, Ithaca was a beautifully rural oasis.
 –
If all the world’s a stage, I want to thank my costars and those who enjoyed my performance, or at least offered constructive criticism instead of riffing in the cheap seats. So on a theatrical note (and since I’ve always best expressed myself through music, never mind not being able to carry a tune), here’s a song about old anxieties giving way to new optimism–to close one “playlist” of life and start anew!
 –

Poem of the Week: “Cornell Scraps”

Apologies for the lack of a poem last week! I had finals… and given the topic and scope of this piece, I decided it needed to wait a touch longer anyway.

Ever since high school, I’ve habitually taken notes. On what? Well… everything. Potential story ideas. Interesting quotes, overheard or imagined. Goofy puns or jokes. Rap lyrics. Concepts for inventions, videogames, and experimental art exhibits. 90% of the time, I have no idea what if any writing I’ll use them in. But, given the fleeting fallibility of memory, I’d always rather jot/type something down and never use it than forget it and be hard up for imagery or snappy dialogue later!

When I moved to Ithaca in 2013 for law school, I started a separate dedicated document just called “Life Scraps.” Later, I renamed it “Cornell Scraps.” Now, with graduation mere days away, I decided to really reflect on these random moments and musings for the first time. In so doing, I saw the potential for a substantial poem. And so, out of what I realized had become forty-odd pages of grievances, late-night confessionals, and idiosyncratic one-offs, I selected and abridged or expanded the most striking lines to produce this.

It’s long, disjointed, and may not make much sense, even by the end. But, for better or worse, that was the last three years!

3years

Three years of Ithaca being gorge-ous.

Cornell Scraps

 

I.

 

Outside my dorm window,

something chitters—cicada or sprinkler.

A bird call like a quick firework’s chirp.

An odor—either paint or rotten apples.

The common room, humid, smells of spirits, aflitter with tiny flies—

but at least they got the best Die Hards.

Cutlery comes and goes from the communal kitchen, like artifacts

passing through some high-tuition Bermuda Triangle.

 

At the dean’s home, a broken basketball backboard

heralds our class’s arrival at the drive.

Crickets congregate about white windowed reception tents,

drooping like jeans over hand-me-down dress shoes.

 

I’d moved in with optimistic discontent but,

walking ‘cross the gorge some evening next,

I felt a great emptiness within, as if

my life were a blurry eye, a voice gone hoarse mid-song,

as clouds closed over tentative night like a flowerbud.

And on weekdays, sudden bouts of belonging

fell swift to chronically displaced dissatisfaction.

I can’t stand Greek Row, but maybe I just lament not having a veranda

and roof to climb onto.

 

Mixer time. At the club,

the floor glows crime-scene UV;

it’s an arms race of debauchery,

and our livers are the battleground.

The nightly grind, never to mind by sunrise.

And that’s just the first week.

 

Fall’s descent brings sticky heat.

Thunder stutters, God

dragging a desk across concrete clouds.

Rain wreaks streaks, plasters the parking lots.

Inside sounds nice, but at a cramped laptop

my hopes are notes on a napkin, crumpled in anticipation

until the words blur to abstraction and all I have are withered strips

with no addressee.

 

Now, not saying class bored me, but I once wondered in one

what guy piled all that bread in a truck for the “We Can’t Stop” video.

Because my soundtrack is Skrillex and Joe Hisaishi,

for a romance with Holly Golightly meets the Girl with the Dragon Tattoo,

dressed to the nine-point-fives by Hot Topic and Watson-Kennedy.

So I start to love going to sleep, because that’s the only time

I don’t dream. Rest unassured,

this head is not a pleasant place to be:

strung out on caffeine, blind ambition, and unrequited love,

my brain needs icing down.

I want to live life at the speed of verse—because of course

I would never kill myself. Not when this world still has synthpop,

Emma Watson, POG juice, butterflies,

and the tone it makes when you strike a tuning fork.

But with bedhead that’s passed “restless cop”

and “wacky high school sidekick” straight to “Goku,”

the rock-fountain trickle of my Brita refilling is a bit Sisyphean.

Life’s path feels like a backward shirt: it fits, but something’s off.

 

Winter waxes,

broken pie-crust tire treads in the snow,

and icicles dangle like fangs from parked cars.

Chinese takeout splays across the sidewalk like collapsed partygoers,

disgorging frozen neon pips.

Green signs glare down the halls: “QUIET: EXAMS IN PROGRESS.”

Still, I get to know a gal at the post office

through the letters I send and tees I test.

Granted, it didn’t last—like a bad twist ending,

she was out before a month.

But don’t worry, hon. Some day you will be in New York

and everything will be awesome.

 

Nevertheless, anger breaks in waves—a planned impulse

—and from the crest I see the smooth sailing of adolescence

giving way to rougher waters of adulthood.

Predator or prey, adaption matters, and this ecosystem is more concerned

with cardigans, judicial interns, and Friday night shots

than Spider-Man, postmodernism, and riffing on Xbox One.

And if the girls don’t have their nose up in the air, it’s down in a book.

Resistant, I might’ve cried my vice is beauty, but

after a brief reflection that turned into a soul-search,

contemplating complimenting the strikeouts with Your free time is a lucky guy,

I put passion on a pedestal so high I couldn’t even see it.

Like standing with my back to a chasm, I know

some comfort awaits, biding time in a peripheral vision,

but if I don’t turn and look then it can’t entrance me.

 

But now that backwards shirt is just outgrown,

because setting my own standards isn’t productive—

it’s a tarred-feather coat of doubtful guilt.

An apologist’s résumé: I may have a 3.49 GPA,

but I clean out the sink after I drain the pasta.

Planning exodus from the land of milk and honey

to the land of wine and awkward small talk.

Sometimes I say things just so they’ll die from exposure to air.

With every new social circle drawn, I promise

I won’t be the neurotic guy again,

but finals week makes liars of us all.

 

Body of a jock, brain of a geek, soul of a goth,

schedule of a preppie, dreams of a hippie—I got this.

In NYC, there’s a leaky halal truck towed ‘round the corner,

plastered with an ad for the Heathers musical,

and washed-out, outdated tabloids stock the sides of sidewalk kiosks.

Of my Manhattan Madame I’ve said enough, except that

I don’t mind putting things on the back burner

as long as they weren’t smoking hot.

Sharing sleep and little else, I think of stupid things

to untremble my muscles.

I think of running out of bed

and lying against the wall of the ground-floor grocery store in my boxers.

I think of punching a brick wall.

I think of riding a bike into a fence, rolling over, and playing dead.

It’s like attraction is a garage door opener: enough distance,

and the signal just stops working.

So I can’t wait to go back;

there’s nothing left for me here but one-way sexual tension and dog barks.

 

II.

 

A leaf drags down the street, as if pulled by invisible string from a car ahead.

Flow but no focus:

I still haven’t seen The Muppets Movie, I think

from the back of a reproductive rights panel.

Got a formal text tonight—better put on my dress grammar.

But first, I have to drain complacency like a wound.

All my flights of fancy are in a holding pattern, or grounded outright.

At least, I’ve lost the ability to tell

how much intimacy between my peers is tongue-in-cheek.

I tell myself I won’t live as a dependent clause,

but irony is gonna play hell on archaeologists.

I worry the Internet turns the world into a circle of paranoid, passive potheads

dreaming in dark rooms.

We are hot dog culture: gross and ground-up, but easy to digest.

I’ve got this game I play where I try to see

how many people on Facebook won’t talk to me.

It’s up in the dozens, and I feel like

earlier in life was the film, and now’s just weathering credits

‘til the reel runs out.

 

Going back to sleeping alone is like reverting to DVD from Blu-Ray.

My heart is an open offer

but my grudges have half-lives, and

there’s nothing less interesting than beautiful people complaining.

So it’s fun wondering what I’ll look back on as so simple about this,

especially when true love is like a UFO: you don’t hear about it as much

now that everyone’s got smartphones.

If only I, Inception-like, could just spontaneously be talking to someone.

Until then, I identify as Straight But Not Applying It.

 

All of my takes are double-takes;

I think I’m developing smirk lines

from parties (or, “going friend-fishing”).

I’d say I felt like an empty seat, but people sit by those.

 

Snow floats in whips and whirls, confetti in a quiet blender.

A girl argues with a guy on a porch overlooking a shore of Solo cups—

well-lit, dramatic,

a Disneyland dark-ride of campus life.

Me, moving on is Indy trying to swipe the idol: I gotta really think it over,

and if the replacement’s not the same weight, then bring on the emotional boulder.

So no, Buzzfeed, don’t tell me what my new favorite video is.

Don’t tell me who to hate.

Don’t tell me to nod politely at X times Y celebrity was more interesting than me.

This godlike technology is for education, entertainment—not building new wings

in my inferiority complex.

 

No, I want love like TV seasons.

Maybe it’s The Simpsons: on for decades, haters be damned.

Maybe it’s Firefly: a brilliant idea snuffed out in its prime.

Let’s make it a competition to see who can miss the other the most.

And hey, who do you think buys all those nightmares their daydream dresses?

At the least, someone in this subway, statistically, has to have nudes online.

 

Topside, sirens blurp like the Lord flicking water

beneath the trapezes of power lines.

I could admit I’m not confident, and you won’t mind

out loud—but the thought will still seep in, like a leaky pipe under an abandoned flat,

and I’m recycling-bound like To Current Resident.

If talk is cheap, then revenge fantasies are seashells and bottle caps,

so while I can’t act, I’m quite comfortable shouting in crowded rooms.

Trying to find the right song to unfriend old crushes to

while I move through Zeno’s Breakup:

Music for revoking any fucks previously given,

in tune with the phases of the mood.

Earbud cord peeks between my jeans and shirt like a spiritual insulin kit.

Balance doesn’t always mean staying in the middle;

it depends how heavy each side is.

 

Electric beats thumping out of a juice bar,

people staring at supercomputers,

glass skyscrapers soaring into the clouds…

Ever finally feel you’re living in the future?

Only this era, we’re building the meteor and bringing it down ourselves.

Everyone in my News Feed is closing deals, posing with koalas,

or bungee golfing in Antarctica, and I’m just taking a stroll, thinking

about how weird it is that Scooby-Doo had a laugh track.

 

My patience is the Earth’s crust: it’s thick, but crack it

and there’s nothing but ten thousand miles of fire.

I want to be a monitor, not a processor, never mind that

I once tried to avoid eye contact with a cardboard cutout.

Fluent in fantasy, my brain is a perpetual motion machine

that runs like The Hobbit: fast and distracting, but only ‘cause it’s closer to reality.

And yet my unfinished business as a ghost would probably just be watching

all the videos I bookmarked in undergrad and forgot about.

 

III.

 

The blood moon eclipse.

An aged penny if good,

a molding peach if bad.

Not even the cosmos gets me decisive.

I decided to make all the things I say worth saying

slowly, but I’m still making my goal a worst-case scenario.

 

Something went wrong, somewhere, in the past,

but it wasn’t just me.

Part me, part world, part my reaction to both.

Like short sheets trying to fit a frayed mattress:

pushing, pulling, coming off

at one corner for want of fitting another, never realizing

until I felt for its opposite and found it bare.

Or waking up to tatters beneath me, thinking it so secure the night before.

 

The rain was light yet thick, like falling mist,

suffusing streetlights with amber halos.

Another bar tab not bothered with.

They’re not even interesting assholes, they’re just boring assholes.

 

I lied when I said I’d rather die than do the same job forever,

I think. It just felt good to sound determined by choice for once,

because I need to make things—with my hands,

not my mouth and wallet.

And whether it’s an international bestseller

or the popsicle stick castle that went to shit in fourth grade,

it exists.

Substance.

Fighting back against entropy.

 

So what can you create today

that wasn’t there yesterday,

and that you’ll be proud of tomorrow?

Savoring the world is priceless like a funeral.

Good memory, bad memory—it’s still just a memory.

Not made but replayed,

and in three years,

I’ve repeated enough for a lifetime.

Poem of the Week: “Ennxiety”

As an introvert, I have a history of social anxiety. It’s nothing that needs medicating, thankfully–for better or worse, I’ve generally brought it upon myself. It’s hard to tell if I’ve improved over time, though–once people have known you long enough, changing their image of you is difficult without coming off as desperate. I tried to touch on some of that with this poem.

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From 2013, the year of unnecessarily long hair.

Ennxiety

Time travel is possible

on paper. Life, loose-leafed, smooth

to the touch, invites experimentation.

One can skip, flip forth and back,

or savor prose, mull over mysteries.

We, readers, grow

spoiled with fictive freedom.

 

And so society strikes me

as the poorest story: immutable

as ink, yet ever uneditable.

 

School introduces it.

Classrooms packed with cliques to pick

or corners to coopt.

Day one: glances flit ‘cross the room

like silent fastballs. Mental lists assemble:

Diehard. Tryhard. Potential network contact.

And, I’d assume, friends without ends.

So when like an orchestra warmup, eager impatience in E minor,

zippers and binders close—

people peer in pockets and watch the clock—

I have to decide who to talk to.

 

But eye contact’s a contract, and

if I mind the floor or door, I couldn’t be faulted

for breaching it.

Interaction means reaction, and—elephant-esque—

I remember every errant one I gave and got.

Like a tight helmet, the weight of faux pas past strains my brain.

 

Still, I’d type events in my calendar.

Dress well. Arrive on time.

En route, the swell and quell of motivation:

Earbuds pump optimistic late-night tunes

to diffuse the cloud of an absent Plus-One.

Standing on the fringe of a booming party’s blast radius—

dimmed, dumb—I’d clutch a Solo cup until my hamstrings stabbed

and I searched for a chair.

Token goodbyes in tow,

I’d escape to moonlight,

Fists low and heart rate high.

 

Let’s hear it for the spirit

of the staircase:

Charm, like lead vocals,

sounds so much better in your head—

theorizing all the wry things

I could’ve sprung on a glamorous diameter of acquaintances:

Workplace anecdotes. Political predictions. March Madness brackets.

 

And so discontent enters tradition, a given:

different verse, same as the fifth.

Déjà craint.

The predictability of an inability

to chameleonize.

 

I’d say it was a choice, my long-term voice.

An addict’s rationalization.

I can start any time.

Young independence means the side effects of defection

before you’ve pledged allegiance.

Kicking and screaming isn’t always visible,

 

but the dents and derision are.

Without the pop, culture was my cod liver oil,

but after enough awkward gatherings—

a virtual void of group photos,

the lack of a link to amicable hashtags—

I learned to fear the look on people’s faces when they realized I thrived

on something they couldn’t care less about,

rubbernecking at childish delights.

A babe magnet with the same polarity:

Those go-yonder eyes on a girl

when I laugh too hard, speak too high, prefer chiptunes to R&B.

After that, every casual ask is like I accosted them in an alley,

because the past plasters an invisible nametag

that can make random questions

scarier than silence.

 

First impressions are the deepest.

The social concrete dries fast,

and months later, I cemented in:

Interrupting people’s 2048 games and Duke scores for a hello,

then taking seats for a trio: my pizza and phone.

And when I approach to bore through some boredom,

it’s like my invitation to relation is an exhalation

of tobacco, and they kicked the habit.

 

Anxiety is when existence in the plural takes exertion.

It’s feeling a traffic signal redden, like a dry heave,

and taking the crossing a block away instead of being on the driver’s mind

when I enter last-minute.

It’s walking the long way ‘round campus

because repetitive respect feels like weight reps, and I’ve already maxed out

on eyebrow raises and hushed heys for familiar faces.

It’s peering over dancing crowds like a prince

or primatologist, lamenting

how I’d rather hear Van Halen wailin’

than the Bacchanalian beats boxing my eardrums.

And it’s every conversation a tennis rally:

Every yep and sure a nervous volley,

pulse rising with the count;
I got this becomes for how much longer?

Or a lungful of air underwater:

Dark and harsh, pressure mounts—muscles tense—

and it’s only

a matter of time

until

I

gasp and say something stupid.

 

I’ve wondered if there isn’t some part of me

I need to take out,

with a black belt in a back room.

Not self-destructive, but self-constructive.

Because what if we’re just monkeys with a terrible disease?

Afflicted ages ago with an urge to purge

our hurt, flash our worth, put our hopes on hold

with alcohol and skin.

A need for attention while we hide our intentions.

Kicking the can of our own inadequacies

down the road, only

to get stood up on a date with destiny.

 

If so, I guess

education is evolution,

and it’s a futile centrifuge

to try and change how others see you

without checking your own mirror.

If you want to be remembered, chase something

worth showing off, or going home to.

 

The world has no proofreader.

No word cap, no delete key

for slow scenes or broken characters.

But I need to believe there’s another chapter

just pages away.

“Haunted House Call”: A #NightmareForce Case File

It's just a scary story... what's the worst that could happen?

It’s just a scary story… what’s the worst that could happen?

Happy Halloween! It’s been a busier one than most for me–in-between prepping for tests, essays, and moot court competitions, I’ve scare-cly found time to even carve a Jack-o-Lantern since… ever? Now there’s a frightening thought!

Yet I still managed to utilize Spirit Halloween‘s generous two-day shipping discounts to assemble a costume. My choice: The Babadook, titular bogeyman of the 2014 Australian sleeper-hit horror flick (now streaming on Netflix!). The most critical element–stage makeup–couldn’t be ferried by plane for some probably-TSA-related reason (are the terrorists just raring to smuggle powdered explosives in canisters of Chaplin-esque grease paint?), but fortunately the local Spirit branch at Ithaca Mall pulled through. Add some black construction paper, and there you have it–instant nightmares:

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But onto the main attraction: As customary, I aim to provide a scary story every year for Halloween, even if it’s a matter of hours before November. Since the last story I even wrote was 2014’s Halloween tale (Pruritus), I felt especially compelled to produce one for 2015–come hell, high water, or lesser academic obligations.

As such, I present another Nightmare Force “Case File.” When we last checked in with the Nightmare Force, they were (spoiler alert!) busting a child-snatching interdimensional parasite that took up residence in one of Cardinal University’s computer labs. In this installment, we learn a bit more about how they live and interact when they’re on–and off–the job. Where do “DEMONS” come from, and how can any human weapons stop them? What shocking secrets and talents does the rest of Aron’s team have? And just who really leads the Nightmare Force, and keeps their missions under wraps?

It all starts to reveal itself on Halloween night, when a sinister spirit comes calling on one average college kid who read the wrong email…

Guns. Ghosts. Gore. Graphics cards. Time to delete some evil.

Haunted House Call

– – –

[Source for the original creepypasta of La Muerta Blanca by someone else. In the world of Nightmare Force, the idea is that this story already exists online, though I tried to put a new twist on it for this adaptation. Also, I am the polar opposite of Angela and Rip when it comes to crunching numbers–you’ll know when I probably screwed up, but hopefully the scene’s purpose in the plot will still make sense.]

#TBT: THROWBACK THESIS (“The Digital Campfire: Interactive Horror Storytelling and Web 2.0”)

I don't know, I got bored once.

“Ben Drowned” fan “art.” I got bored once.

Happy March! So things have been picking up in the last few weeks, relatively speaking: I’m a Managing Editor on the Cornell Law Review now, I got a part-time Spring internship offer from a local firm helping represent protesters in the fight to keep petrol storage out of Seneca Lake, and I’m in talks with a Ph.D from the Global Catastrophic Risk Institute to possibly do some research and legal writing on proposed international legal regulations for handling emergent AI in an increasingly internet-dependent world. That, and the snow’s starting to melt around here in Ithaca!

All told, though, that means I’m definitely pretty busy, so I’ll cut to the chase: in the spirit of not having inordinately large update gaps on this purportedly professional portfolio-ish blog anymore–as well as throwing a quick bone to the “on Wednesdays we wear pink”-esque trend that is #ThrowbackThursday–I present to you my thesis paper from my senior year in the University of Washington‘s Honors English program, circa 2013.

Consummate geek that I was/am, while others were analyzing T.S. Eliot or non-heteronormative narratives in Latin American fiction, I wrote about… creepypasta. Well, not just creepypasta–I dove into how the modern internet has allowed the time-honored ritual of collaborative fiction to partner with interactive fiction as well, particularly in the case of the bite-sized “this really happened!” horror stories we all know and love to read in minimal lighting. I explain how The SCP FoundationSlender Man, and “Ben Drowned” each utilize(d) wikis and/or social media in similar but unique ways to present engaging, believable horror stories, then briefly discuss where and why Hollywood has succeeded or failed to capture this magic for “mainstream” appeal with films like Cloverfield and The Devil Inside.

So draw the shades, open a couple more browser windows, microwave a s’more if you want, and follow along as I analyze the thrills and chills of sitting down in front of…

The Digital Campfire
Interactive Horror Storytelling and Web 2.0

[A brief “P.S”: I initially considered shopping this around to relevant academic journals after I wrote it, but the plan got away from me and before I knew it I was writing legal notes instead! Part of me thinks this piece is best at home free on the internet anyway, like its subject matter; I have no idea whether putting it on my dinky WordPress blog puts me out of the running for a print journal picking up a variation on it some day, but at this point I just want to share the work and see what you folks think. With that “time capsule” quality in mind (and like I said, #TBT), I’ve done very minimal editing–mainly just new spaces between sections for clarity and a few egregious typos fixed, including the time I spelled “Doctor Who” as “Dr. Who.” As such, some details will be a tad outdated–most prominently, Marble Hornets finally wrapped up (with a polarizing ending), and I’m psyched for the SCP Foundation movie!]

“You Won’t Read This” (Poem)

Wait... is that a baseball diamond back there?

Wait… is that a baseball diamond back there?

Well, it’s been a time since I shared some poetry on here — what with law school and all — but that doesn’t mean I haven’t been writing it. It took gradual progress and drafting, but I started and finished this one after only a month or so into the winter semester! It sat on my hard drive for a while, passed around among friends, but I decided I should share it on here.

It’s about college, and part-time jobs, and literary journals. It’s about paranoia, and privilege, and not being totally sure who or what you want to spend life doing. It’s about girls — a million, or three, or maybe just one. It’s about videogames, the internet, and wishing you could talk with music and intense colors instead of text messaging and social cues.

Ironically, the poem “functions” best the fewer people read it — and yet, of course, I love to share my work and get feedback. So I hope you don’t take the title to heart too strongly when I say…

You Won’t Read This

– – –

This particular piece felt like a leap for me at first, but in retrospect it was a pretty logical progression. During and after writing a “literary self-portrait” in English last year, “An Easier Way to Get Out of Our Little Heads,” I realized how natural, cathartic, and yet… well, artistic it felt to write in a prose-poetry style–flitting between ideas and images, figures of speech and cultural references, yet wrapping it all back around around a core of feelings and thoughts that read as personal and yet relatable.

Looking back, I started letting poetry take over keeping a journal around the end of high school — a few stray verses or a whole poem every few months (admittedly, of varying objective quality) as a way of condensing my hopes, frustrations, and a handful of powerful memories into a structured yet sincere whole. So with this one, I decided to take everything I’d learned — and experienced — in the past few year, and try it again. It may be too early to self-declare a niche for my poetry, but I feel like I really found it with this one (is “love and philosophy for Millenials” too long a moniker?).