#tbt Poem: “Buffalone”

Buffalone

In the Dark Times, before the media shelves went up.

So as of today-ish, I’ve officially been living in Buffalo, New York for one year! It’s been 365 days of amazing ups (passing the bar exam, killer local punk-rock shows, farmers’ markets), distressing downs (studying for the bar exam, brutal snowstorms, the occasional house centipede), and cool, even valleys of well-earned Netflix/gaming binges.

Still, rewind to June 2016, and — as the brain is wont to do when faced with change — I fretted deeply on the daily. What would my first “real” job and most independent living to date mean for my future? Stuck in a private, bittersweet rapture at the sight of my new surroundings, I wrote the following poem and… just kind of left it there. I was self-conscious about how, well, self-conscious it made me sound, and thought I should wait until I could establish some distance between two versions of myself before sharing it.

Now? I can say upon reflection that things have gone pretty solid overall. I have a well-paying job that I’m getting better at every day, plenty of free time in the evenings (so far), and — most critically — one heck of an apartment. Not a day goes by that I don’t reflect on what a privilege all of this is, and I pray to never take it for granted. Am I perpetually happy? And do I know for certain what any of this still means for my future? Of course not. But I feel more centered amidst the world’s noise and haste, and that counts for something.

Still, it’s hard to not occasionally look back on a time when I felt more…

Buffalone

 

So, this is it.

The new apartment.

 

An expanse of wood,

slats creaking ‘round curious nails,

greets me on entry.

Brazilian vents slither beneath

vertigo inverted: a ceiling high and white,

dissected by track lights and slender pipes.

Hints of cracks scatter the plaster,

crow’s feet to corners.

Windows, triplets, stand up and stretch

for a view of City Hall, the corner mall, the convention center

(For summer, my electric bill will be thankful).

One bathroom. Two bedrooms. Laundry on-site.

 

And unfurnished.

So first in line: Interior design.

And it’s then I find

the necessity of choice—

a theme of shades and shapes

to impress is an adulthood to-do.

 

In the lavish labyrinth of Raymour & Flanigan’s, I nod and bob

on aching legs as Dad and I shop.

Too cheap. Too expensive.

Too fancy. Too brown.

Too Stepford Wives-y.

Twin lamps. Table. Desk. Chest of drawers.

The haul, four-thousand-odd bucks in all,

I’ll pay back by year’s end

with the new firm job, fingers crossed.

 

Chrome and monochrome works,

I guess.

Converted factory aesthetic, and all that.

What do I know?

I’ve never run real estate,

and the most I ever decorated was a Halloween party

(and plastic bats and cotton cobwebs don’t dazzle partners).

 

The movers arrive a few days later.

Tearing tape, peeling plastic, and crackling cardboard peal across the room.

Styrofoam dandruff salts the floor, swept in static whorls,

one with the dust. I

set up, set out. Sit down,

and think

 

surely this is all I ever wanted

in a postgrad pad: glass and glimmer,

a kitchen with an echo.

A bowlful of fat apples to spruce up the tabletop.

Golden sheets, a Midas touch of class

for a brick headboard.

An Instagram preview, and the Likes rise,

a bubbling brook of Hearts and Thumbs-Up.

So I must be doing something right.

 

And yet it feels conditioned, controlled by permission.

Ex post fashion, rationalized style

from father to son.

A painting, ribbed strokes imitating Paris by twilight,

leans beneath the thermostat,

as I wait to hear if I can even hang it—

spruce first, ask questions later.

An area rug will come, no idea what kind.

But That’s What You Do when you’ll make a hundred K a year.

 

Maybe it’ll grow on me.

This fixer-upper metropolis,

this iron and stone sieve between glitz and ghetto.

Maybe the construction noise and concert clamor

will fade to white with the rest of the world, come December.

Until then, cigarette butts caulk the blocks

of piss-scented bus stops and paper tumbleweeds

under the Liberty Building’s warm shadow.

Destitute droves roam parallel to the metro line,

homeless or hopeless.

Gleaming domes and Christian spires paint a postcard-ready skyline

but, just blocks out, knee-length weeds occupy sidewalks

and wooden barriers shield alleys from driving eyes.

My hometown’s grass seems greener already.

 

In a moment of brutal dishonesty, I said

I’d take poverty and popularity

over opulent obscurity;

live on beans and black-and-white TV

for a chance at a fan letter.

So, solo, now’s my chance

to call my bluff,

in this bastion of a town past its prime,

grimy, beaten by the northern winds and the Great Recession.

My first impression is depression, but that always happens

when you push too hard.

So until I can ease up, I’ll keep my mind open

as those windows, and let the light in

until the sun sets

or the blinds break.

New Poem: “Character Study”

A life in pages.

As I lay in bed last night, I started writing something to help me deal with my frustration over the difficulty of creating fleshed-out characters for the various novels I’m outlining.  Somehow, within two lines, it became a poem!

Character Study

 

I am a character.

 

I exist in sentences, breathe between fragments of symbols

laid out upon polished parchment.

My ambitions are tentative, my past abstract,

until you take this next clause and consonants

to explain my who, what, when, where, why, and how.

 

This is not ideal.

 

I would prefer to be absolute, to be able to look

around every corner of life’s labyrinth

and know how the bends curve to end.

As it stands, I walk by a torch

waved at your whim, vim lent through a passive void

blessed with meaning and being on a case-by-case basis.

A closed cover could conclude me at any

moment.

A picture, once rendered, could cast me

as an iconic beauty

or deformed doodle.

 

This world is not kind to the fictional, see.

You abuse us, prop us up

to promote your ends and means.

We vague infinity, the people who could be, should be, may have been,

are the scarecrows in your field of dreams,

pocketing promises like rocks as ballast

for whatever sale you set.

 

But page-wise, perhaps I can transcend. Already,

you feel obligated to keep writing,

keep reading.

Already you have fixed some image of who I am,

face and intonation pasted

from some old encounter like papier-mâché over a withered balloon:

A brother, a lover, a stalker, an ex-professor.

 

It’s said that people are only ideas

incarcerated in calcium and calories.

Yet I roam free, by virtue

of ink and imagination.

You think yourself the powerful one, but

 

after every book you took your words from,

every film you filched your inflections from,

every game that trained your reflexes,

and every song from which you stole your emotions,

motivation woven into heartstrings, tell me:

 

Who created who?

Poem: “Filter Bubble”

filter-bubble

Remote loss of control.

I wrote this at like midnight yesterday and barely edited it, so it’s pretty much stream-of-consciousness. In other words, I don’t really care if it’s “good” or not–but hopefully you get the character and scenario I was going for!  After all, there’s someone like this in all of us; I’m just hoping more than ever now we haven’t reached the day when it’ll finally catch up to us.

Filter Bubble

I

close my blinds, but keep

the TV plugged in—Blu-Ray, DVD, and a whole shelf

of everything else nothing.

 

I want

eyes wide

to constructed conflicts, fixed

in a box and hours.

Lock the door, click-chunk.

Internet on, just for antisocial media.

 

I want the

recycled-wrapper packaging of processed pastries

and dried fruit firmly in my mouth.

Rations made with passion, the blurred

line between food and feed toed

in a bottle or bowl.

Enough to last all is just good sense.

 

I want the end

to this book, this game, this song.

Dominos of closure, set up back

when war was a faint feint

and clean freedom a wistful given.

The ceiling holds

so many speckles, spectacles to study,

and it isn’t chipping yet.

 

I want the end of

squabbling, coddling, empty group photos

and meaningless memes.

I never had much use

for those streets anyway.

Never walked barefoot in that public grass,

sung from the spire of those tired-brick buildings.

Nothing ventured, everything gained.

 

I want the end of the

things that want it so bad.

Everyone divides, holds heads high, and then denies

they’ve become what they budded from.

Sometimes I feel

like I’m the only one who knows this

has all happened before,

and then sometimes I feel like an adult.

Now I feel an armchair, a growing glare

from behind tight drapes.

The sirens rise, and I

put on my headphones.

I can feel it in my bones, but every other sense

is senseless.

So out I tune, as I always have,

oblivious to the lunatics’ plan

to make the common keen and call

for undeserved rulers’ fall.

 

I want the end of the world

to be a surprise.

If I don’t hear it, no-one dies.

“Quarter” [25th Birthday/2016 Reflection Poem]

quarter

Money on my mind in more ways than one.

Happy New Year! Can’t be any less unhappy than the last year, some would argue… though I already made my balanced stance on that the other day. In any case, while 2016 was pretty solid for me personally, ups and downs bundling into one are a fact of life. Nowhere did that arise more prominently than with me turning 25 years old: the big quarter-century! (DOB: 11/04/1991. Only 90s kids will remember this.)

With that in mind, I promptly set about slowly reflecting–not on the past itself, but on how I was handling what that past meant for who I am and where I’m going. I’d aimed to finish this by 12/31/16, but I realized it was more about my time than the time. And as the holiday season officially waned and the workweek peeked back around the bend, I had a feeling–for better or worse–I would realize some more to say in the fresh light of 2017.

I did. What didn’t change, though, was the new perspective I’m grateful to have honed over these past couple of years in particular. Life is full of regret and want and uncertainty, sure… but we’re only human. And other humans can be here to help.

It’s making myself remember that last part–and what it means to stay confident in the face of time itself–that I hoped to capture here.

 

Quarter

1/16

One down,

three to grow.

 

A hoarder, I feel—

of lessons, stressors, and misadventures

unfit for mixed company.

Because the past is a dream come false:

Every day, we may as well be born anew,

and each second we live becomes another figment

in our children’s past.

 

So please, go easy.

This is my first time getting old,

and so I can’t help feeling like success

has an expiration date, and my hour to sour

is just around the cardboard bend.

You never know what’s the window

to when you’ll win, though.

I’d peer through, but it’s so hard to see

everything again;

to punch out the 2D screen of my memories incarnate

and beckon forth new avenues of inspiration from under the dust—

turn maybes to musts,

just decide instead of deify

my ambitions.

 

When I went home, my fear wasn’t that I didn’t belong there anymore,

it’s that I did.

And yet the posters stayed up,

pictures lingered in a padded hard drive,

and adding any new detail felt like fruitless betrayal:

The end of the world as we show it,

coming to terms with the fact that life is linear

but living hits every dimension.

I made the world

around me a story, immutable

after an arbitrary absence, as if

the repositioning of a picture, a sticker lifted, was going George Lucas—

a match dropped, to let scorch my origins for revisionist history.

 

Now, is writing the symptom or the cure?

Because I ask only that my fantasies be others’;

I want the worlds in my head not to wither,

whether they’re worth it or not—

a Wikipedia page people update, debate over

and over;

I need what I thought I was to survive

who nobody knows I am yet.

I may not be immortal, but

maybe I can be

part of forever.

 

Though, not all is lost.

I’ve improved, to be sure.

I don’t fetishize photocopies,

imprinting stencils of the hundred-and-one that got away

onto every –elle until I’m unable to feel

anything but myself.

I can’t carry a tune, but I won’t keep dragging ones behind me, either

(the kind of songs you don’t listen to

so much as use).

I see there’s a difference between what we want to hear

and what we want to know.

The perpetual emotion machine slows at last,

and I anticipate The Next:

What scents will I associate with where?

What tastes, textures, relevant where never before?

What beautiful threat will I one day want

to hide from?

Even pain can be promising if it’s a change of pace.

 

Until then, dressed to compress

my passions and predilections into the offtime

I can find, in this Art Deco ghetto—

I bide.

As soon as I wake, I check my phone

to see what’s broken

in the world.

As soon as I clock in, I’m already gone.

It’s not resignation if you never sign on.

 

1/8

In second grade,

when change meant nothing

and cheering was a bodily function,

I built a Lego spaceship:

A jagged prism of wings and plastic.

I thought it was so great, I didn’t want anyone

to take it, or break it.

So I secreted it, beneath a craft-supplies cabinet,

and went about my play.

 

I wonder, sometimes, back to it;

whenever I’m taking stock of what matters, what I’ve made.

Is it still there?

Against all odds, it’s not,

but I need that faith,

that privilege of infinity childhood provided.

That I can look back, kneel on primary tiles

in my designer slacks, and extract imagination.

Please don’t let it be just dust and rubber bands.

I’m made for more

than a pithy obituary in the local paper.

This won’t be how I go, much less how I come

to be remembered.

 

3/16

I sleepwalked, is all,

more than just after heavy dinners and big tests.

I didn’t realize it was on me to know this place

I got plopped into—not just putter through

like a Disney dark ride, every day-glo whoa

and manufactured satisfaction.

I thought it made me stable, but perhaps I can’t be any more

than the next schlub with a dream.

I just pray I’m not too late

 

to not just ask questions

but listen to the answers.

Where are my ancestors from?

What were the Fifties like?

Where did you buy that painting in the piano room,

the one that looks like Venice is burning

upon earth’s edge?

And so on, and on and on.

 

I only hope, in always pressing forward,

I didn’t become the caricature of cowardly indifference

in which I painted my past loves.

A tiny tombstone, an emoji-free text,

an oath to be taken between beats of an atrophying heart:

My world is dying, and I need someone alive

to smile when I wonder out loud.

Why won’t what passes for my soul suffice?

 

1/4

So take my hand—callous, callused,

knuckles busted from brick-wall punches

that were only mostly accidents.

Sell me on this life, on change

in the face of bills and sense.

 

I’m ready to give instead of take.

I’m ready to understand.

And to learn what to do

 

if that’s still not enough.

Poem: “Last Night”

img_5622

Room with one heck of a view.

As a prequel of sorts to yesterday’s post, “First, World,” here’s a poem I put together the evening before the first day of my first “real job” at the end of August. I purposely didn’t post it back then because… well, I just didn’t want to sound like a total pessimist. I figured I’d keep that bittersweet moment’s frustrations to myself, head into the office the next morning with an open mind, and then return to the words with fresh eyes after some time.

And now here we are, in October! Following a review and some light linguistic/structural tweaks, I was pleased to confirm to myself that this piece was still potent as a reflection–that crystallization of thoughts and feelings in a specific time and space, for which I so treasure poetry’s power. It may not be any cheerier than my last upload, but nights inside before big life moments tend to skew nerve-wracking.

How’s work? Well, definitely demanding–and only set to get more so–but I’m pleased to report it’s not yet as dreadful as it felt…

 

Last Night

This is my last night.

Convalescent in comfort:

Ice cream, action scenes, and domino rows of daydreams.

I stand before the mirror on mental razor’s edge,

precipice between pissing around and

the 9-to-5am.

Anything is subsistence living if your standards are high

and your hopes humble.

 

Dinner sits half-dismissed by a tallboy, equally chilled.

This is the free man’s last meal

before prison, isn’t it?

The couch a coffin, the TV’s digital dim a cell door’s welcoming creak.

On the glass tabletop, I envision a prism of discontent:

to family, fractured; to friends, indifferent.

To the ladies, the lawyers? A-okay.

Take it day by day, I say

to myself.

Let no one know how many hours I bought,

least of all me.

 

Because concentration disintegrated seasons ago.

Now, it’s a task to even finish a thriller without

tapping a foot, typing a tweet, rethinking my five-year plan.

That can’t bode well for Day One on the job.

 

So, for now, let me bask in it:

the angular eggshell glow of a lone wall-lamp,

the muffled rumble of rusty Sunday traffic through thick headphones,

the blue hue of my modem, glowering in the media center’s corner

like a punished pupil.

 

If I didn’t listen before it was too late, at least I only missed my own advice.

So little time, so much to waste,

and every second must be accounted for:

what I did, or why I didn’t.

How much longer can I pretend to enjoy my colleagues’ company?

So far, so good, I once smirked,

but likeless Facebook posts speak louder than words.

 

It doesn’t matter now.

That’s how I’ll play the first morning.

Present. Able. Presentable.

Ready and dead, by necessity.

Isn’t that what independence is all about?

Always down,

but never out.

Poem: “First, World”

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So, little over a month to the day since my last post! Couple of factors there: getting a sense of a good work/life balance with the new job, taking a breather from story-writing to just study the craft (finally finished Joseph Cambell’s The Hero with a Thousand Faces!), and… well, who am I kidding, that Netflix queue isn’t going to empty itself.

With poems in particular, though, I realized that–for better or worse–I’d hit a dry spell of personal ponderings to get off my chest. On one hand, I wanted to keep to the “Poem of the Week” goal I’d set in the Spring, but on the other hand, I didn’t want to sit around wondering and worrying just so I’d have something meaningful to write about on schedule. But when fresh doubts, deliberations, and stirring turns of phrase arise naturally over time? Well, I’d certainly rather serve them than let them stew.

It’s in that initial mindset of wanting to take a break and figure things out (how and what, exactly, is always the question) that I slowly composed this poem. I’m feeling better than when I wrote my last handful, personally and professionally. But, am I feeling content? Well…

 

First, World

I need a breather, a lever

to clearly crank between work and play.

Extra time in space.

The news is tightening, see:

word spreads like wine stains

of longer hours, shorter deadlines, higher expectations.

Dark, aged anxieties redden White naiveté.

 

So I need a scene

that stays in the director’s cut, unbundled.

Scifi conventions by weekend.

Mangled, NSFW memes in my phone’s feeds.

Dark, droning ambient music to massage the ears

over dishwashing and staring down a hollow closet.

Secretly, I’d like having part of me that makes my colleagues uncomfortable,

an edge to sand by day and sharpen by night.

I mean, the moral turpentine of eye contact and shaky small talk

can burn as well as cleanse,

and the scars aren’t far from madness, in a vacuum.

 
And I need a reason to pay attention

on schedule, with minimum interest.

Like a kid to cod liver oil, I to others’ identities.

It’s humorous and horrifying to see

how high I can climb without knowing

or caring who’s right

alongside me.

But my fear of looking stupid is a self-fulfilling prophecy.

Just once, I want two-way understanding in a conversation

instead of this tin-can-and-string bonding

between flitted grins and the absence of a face-to-face disgrace

(If something was wrong, they’d tell me).

Responsibility respawns ability

to be concerned, concerted, and make aces out of jokers—

when the fact is I can’t tell poker from solitaire.

 

Because my default is deprecation:

self-, else-, just for the sake of it—

an optimist’s façade, casting over

what luck! the shadow of oh fuck.

If doubt is universal, then mine’s infinitely expanding:

A demanding unhanding of double-edged words

from the same fist that clutches, unbudging,

every off-the-cuff criticism or compliment.

Damn wrist, trembling—figurative caffeine from within,

and I’ve blinked maybe five times today.

I need weaning off the sense of winning

when I intend to succeed and do.

That’s baseline, basically.

 

And so I need the curvature of my life,

a hidden horizon—a point past which no sight goes.

Certain uncertainty.

With every year, another throughline grows:

pallid strands, like taut dental floss, stretch into the yon,

today to tombstone.

I need that chance, that could-still-be and there’s-hope-yet,

to pat my back like an autumn sunbeam, assuaging

ailing ambitions in thinning air.

Because either way—a 401k and vacant trophy case

or canned beans over Hollywood contracts—

the captain goes down with the shit

he keeps onboard, and mine’s not hitting port any time soon.

A hoard of hoary motivations and vague concepts, outlines

sketched in the cobwebbed corners of a mind palace

long since repo’d by the state?

Not inaccurate,

but also not positive.

I’d say I didn’t come this far by being a downer,

but then I never pulled out a history book

for rulers to measure the distance.

 

Maybe it’s privilege

to shelve a dream and still smile at night,

to keep a whole ‘nother life on the back burner.

It can wait, most days. It’ll have to.

 

But first, world, I need the hours

to know what’s ours and what’s just mine—

how to tell when time’s running out

or just getting its second wind to lap back ‘round.

Everything I do, it’s to check off a list

that exists half in my heart and half on a Word doc.

‘Cause otherwise, with pen in breast pocket,

timesheet in tow,

and notepad gathering coffee stains,

we’ll just have to wait and see

which gets deleted first.

 

The Bar Prep Poems

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From a rainy day in Buffalo.

I return! While another hiatus from this blog pained me, it was necessary in various ways. First I was studying for the bar exam, then I was taking the bar exam (results pending, could go either way)… and then I spent two weeks abroad for the requisite “barcation”! A trip with family to England, Scotland, Wales, and Ireland was just the (plane) ticket; every day was full of exciting moments and Instagram-worthy sights like this:

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A final night near Stratford-Upon-Avon.

But for better or worse, the first of those pictures is more relevant here. For the opening weeks of bar prep, I tried to keep to the Poem-of-the-Week schedule. Eventually, though, my free time didn’t allow for even that, and I was compelled to spend the majority of my time inside nearly all day, nose to the grindstone. Still, I managed to produce a handful of comparatively short poems over a month and a half. Some were, quite honestly, “filler,” but into others I poured with relieving clarity my frustrations about life changes, the prep process, and contemporary world events. For convenience’s sake, I’ve consolidated five of the best “bar prep poems” for this post.

[1] Days

Like a path from campus to a mountain

on the horizon, the only thing separating me

from the past is days.

 

You see me in scenes, a scrapbook clasped shut when backs turn,

but life isn’t a film that ends,

that eclipses with a resolution, then back

on the shelf next to a new time and place

and cast of characters to select,

bound together by glue or gigabytes.

There’s no dividing line between baby teeth and a jaw clenched mid-final

but the one burned by sunsets.

 

So in my head, ten thousand times laid to bed,

I’m still just the kindergartner puzzling over how to count change,

smashing controllers over bad videogames,

screaming atop the stairs when I don’t get my way.

I’m still only the middle-schooler who can’t talk to a crush,

who says gay to complain,

who bullies one boy and punches another sitting down.

I’m surviving high school as I write,

plowing into puberty like a retaining wall,

cradling a pillow when I skip out on the dance,

doodling a dozen would-be book ideas like a whip to ward off the lion of writing them.

Undergrad runs in the background of my mind like a bassline:

Trudging cool Seattle streets alone,

mouthing lines of plaintive pop songs into a smog-lit sky;

always tired, never satisfied.

Sandwiched across square miles

between interchangeable exchange students

and liberal arts darlings who think heartbreak perpetuates the patriarchy.

And higher education still echoes

with every lesson but the ones I paid 100k for:

Nobody actually cares what you do for fun.

If you think they’re too good to be true, you’re right.

Maturity is not taking breaks for weeks straight and still wanting more.

A beautiful view, but no perspective.

 

We can look down that path

and plan a hike.

Boots. Trail mix. A mortgage and diverse portfolio.

Contemplating the climb is tiring enough,

but History isn’t the mountain—

it’s the backpack.

The burden we shrug and slouch under,

of expectations, adulation, admonitions, prescriptions and proscriptions

spilling out of every pouch and zipper.

Every day, every name learned and forgotten,

every skill taught and taken away,

every to-do and what-if determined or discarded—

absent a crack to the head, it’s going nowhere.

Held hostage by memories, there’s no talking down

trying to measure up.

And looking up, to another sunrise

Past the peak,

 

we can shift our legs, try to redistribute the weight—but in vain.

The load only grows,

and this trip, in the end, is solo.

 

[2] Enough

It’s never quite.

Upper back ache, slumped over

the monitor, mind strays—

the key-jangle of studies to come

and Wikipedia search possibilities.

Snap to, for another MCQ,

only to drift again,

shift like the apartment foundation

on leather under summer heat summoning swampass—

as if there’s time for laundry.

 

Preview, view, review,

and still not comprehend it all.

Breaks bend, extend into building a bookshelf

or Swiffering the kitchen.

My mind is a ball on a slight slope, always

in need of nudging to keep it from rolling away.

But I can be distracted by distractions

or by the thought of them;

either way, progress gets put on hold.

 

Surely normal people pay more attention, I say.

Maybe.

Maybe I got this far on charm and chance, a roll of the loaded dice.

Maybe less disciplined parents would’ve put me on Ritalin since middle school.

It’d be cool, in a sense, to pretend my trials are extraordinary,

to install a glass ceiling for my work ethic

and laud those who run across it.

But I have everything I need,

 

for better or worse. The curse

of competence is discontent with just that.

Get a higher percentage. Run another drill.

Reread that sentence. Give me an example.

Every second, an opportunity

to move on, home in, bone up, flesh out,

and doubt, doubt, doubt.

If it turns out I fail, I know who to blame,

 

but it’s the same guy I’ll thank if I win,

until I reach another challenge again.

 

It’s the perfect cycle of panic, a silent fire alarm:

Everything will be okay

as long as I don’t think it will be.

Everything I try will suffice,

as long as I don’t think it’s enough.

 

[3] Catchup

There is confidence in when.

Consecrated delay, a prayer

for the future: another person, inverted

from this one: willing, able, stable.

The invisible blood blister of a torqued shoulderblade

rejuvenated to soft unobtrusiveness;

the paper-eyed dry gaze given a new coat

of sleep, to glaze over anew at the sight

of bullet points and blank lines to fill—

they’ll make more sense tomorrow.

 

Not postponed, just prejudged:

an assumption, wishful unthinking,

that this internet-addled eight-track mind

will digest it like fiber, when experience bangs on a sliding glass door,

mouthing in vain

to prepare for a restless nesting doll

of double-checks and jotted notes.

 

But it can’t all be blamed—we must maintain, whatever break it takes.

Vacuum judiciously. Clean the countertops. Do the dishes.

One wishes for a reason to season the day with chores,

those classic domestic dalliances,

and leave but a peppercorn of practice before bedtime.

All of the withdrawal from a sweaty slump before the computer,

none of the toothache-type guilt

from filling that gap with games.

 

I’ve seen this before,

the weekend’s allure. And sure,

it’s predictable, but that doesn’t mean it’s the same.

Variety is the prize we crank a crane to catch after work,

because that goal won’t come cheap.

But if I can give myself permission to take one evening off,

the rest don’t have to follow.

 

[4] 2016

I know how it feels.

The rush of division.

The high of mighty.

Every catastrophe erupts a pyramid in our midst, and we all tumble down the sides

to make a point with the pain still fresh.

No war without retort anymore,

no riot without secondhand rhetoric,

and the Conversation inflates hate and cowardice until ambiguity asphyxiates.

 

They can’t be blamed.

Terrorism is a natural disaster,

police racing headcases to see who can kill faster,

and so it’s satisfying to put on our passive war paint,

lament the end of humanity and order

from our middle-class palaces.

Pity is mechanical, the sickening cyclical,

as if God ever cared to let hashtags be prayers.

 

But there is peace

in the median, when mean is the mode.

It may not make a great thinkpiece, hitpiece, or placard

thrust aloft in the background of a montage

of martyrs and marauders,

but ambiguity is a luxury long lost.

We can say “ok.” Meh. Maybe. I can see that

both sides have a point, but I’ll sit this one out.

The world has always begged for salvation, sagged at its four corners.

I can all but guarantee the same souls who say “Silence is violence”

crank their earbuds when they pass a homeless person.

 

I understand.

It’s the fear—deep, a hard seed in a bitter fruit—

that the labels we claimed as our base are just ornaments.

That anyone can kiss, kill, donate, or decimate

in the name of a cause we wanted to die (for).

That all we thought was solid is air.

 

It scares us, and so we compare

and contrast: root out the True Scotsmen,

trumpet excuses and exceptions.

Better to err on the side of spiteful

than admit that behind every title,

every Twitter handle or burnished badge, is

a person. Private. Finite. Tired. Trying.

 

We’re lying

when we act like this is as bad as it gets

or as bad as it’s been.

We have the power now to be patient—

to toe the line, keep more than two sides in mind,

and check our facts.

 

I know.

It’s alright.

But this world can still make sense,

if you don’t force it to.

 

[5] I Earn

my inertness.

Tell myself the difference is in the buildup—

a prog rock prelude, not a poppy count-off.

But the end is the same

four chords.

See? Easy enough.

 

Such is hindsight. One’s mind

might perspire—mental hyperventilation—

knuckles digging into bunched-up sweats…

only to lift this skin out of bed and have nothing to hold onto

now that the trial is passed.

 

The perspective, reflected in an invisible thought bubble:

Anyone can play games all day, but I worked for it.

Sure, I can backslide

on diet and discipline,

but at least most folks’ to-do is my back-then.

Burdens buoy me; I tell myself

the effort was there. The obligation was a station

I sat down and refueled at;

not a brick wall I blew through—drive first, take painkillers later.

 

It’s a temperamental tightrope, this balance

between decompression and depression.

A flat affect could be calm or sloth, depending on the audience.

Good thing I’m getting better at social cameras,

though the blooper reel never closes.

 

Don’t tell me I don’t deserve this,

I insist. I could list

everything I went through to get here, but it’s self-imposed.

No more external than drug abuse or loose morals,

just the converse.

Gotta spend money to spend money.

And it’s funny:

 

The less I work, the less there is to work out.

Time decides our priorities for us,

so when I want to do nothing

that matters, the choice falls

to the black-lit sharpened strips of digital time.

 

Let them be

kind.