“Quarter” [25th Birthday/2016 Reflection Poem]

quarter

Money on my mind in more ways than one.

Happy New Year! Can’t be any less unhappy than the last year, some would argue… though I already made my balanced stance on that the other day. In any case, while 2016 was pretty solid for me personally, ups and downs bundling into one are a fact of life. Nowhere did that arise more prominently than with me turning 25 years old: the big quarter-century! (DOB: 11/04/1991. Only 90s kids will remember this.)

With that in mind, I promptly set about slowly reflecting–not on the past itself, but on how I was handling what that past meant for who I am and where I’m going. I’d aimed to finish this by 12/31/16, but I realized it was more about my time than the time. And as the holiday season officially waned and the workweek peeked back around the bend, I had a feeling–for better or worse–I would realize some more to say in the fresh light of 2017.

I did. What didn’t change, though, was the new perspective I’m grateful to have honed over these past couple of years in particular. Life is full of regret and want and uncertainty, sure… but we’re only human. And other humans can be here to help.

It’s making myself remember that last part–and what it means to stay confident in the face of time itself–that I hoped to capture here.

 

Quarter

1/16

One down,

three to grow.

 

A hoarder, I feel—

of lessons, stressors, and misadventures

unfit for mixed company.

Because the past is a dream come false:

Every day, we may as well be born anew,

and each second we live becomes another figment

in our children’s past.

 

So please, go easy.

This is my first time getting old,

and so I can’t help feeling like success

has an expiration date, and my hour to sour

is just around the cardboard bend.

You never know what’s the window

to when you’ll win, though.

I’d peer through, but it’s so hard to see

everything again;

to punch out the 2D screen of my memories incarnate

and beckon forth new avenues of inspiration from under the dust—

turn maybes to musts,

just decide instead of deify

my ambitions.

 

When I went home, my fear wasn’t that I didn’t belong there anymore,

it’s that I did.

And yet the posters stayed up,

pictures lingered in a padded hard drive,

and adding any new detail felt like fruitless betrayal:

The end of the world as we show it,

coming to terms with the fact that life is linear

but living hits every dimension.

I made the world

around me a story, immutable

after an arbitrary absence, as if

the repositioning of a picture, a sticker lifted, was going George Lucas—

a match dropped, to let scorch my origins for revisionist history.

 

Now, is writing the symptom or the cure?

Because I ask only that my fantasies be others’;

I want the worlds in my head not to wither,

whether they’re worth it or not—

a Wikipedia page people update, debate over

and over;

I need what I thought I was to survive

who nobody knows I am yet.

I may not be immortal, but

maybe I can be

part of forever.

 

Though, not all is lost.

I’ve improved, to be sure.

I don’t fetishize photocopies,

imprinting stencils of the hundred-and-one that got away

onto every –elle until I’m unable to feel

anything but myself.

I can’t carry a tune, but I won’t keep dragging ones behind me, either

(the kind of songs you don’t listen to

so much as use).

I see there’s a difference between what we want to hear

and what we want to know.

The perpetual emotion machine slows at last,

and I anticipate The Next:

What scents will I associate with where?

What tastes, textures, relevant where never before?

What beautiful threat will I one day want

to hide from?

Even pain can be promising if it’s a change of pace.

 

Until then, dressed to compress

my passions and predilections into the offtime

I can find, in this Art Deco ghetto—

I bide.

As soon as I wake, I check my phone

to see what’s broken

in the world.

As soon as I clock in, I’m already gone.

It’s not resignation if you never sign on.

 

1/8

In second grade,

when change meant nothing

and cheering was a bodily function,

I built a Lego spaceship:

A jagged prism of wings and plastic.

I thought it was so great, I didn’t want anyone

to take it, or break it.

So I secreted it, beneath a craft-supplies cabinet,

and went about my play.

 

I wonder, sometimes, back to it;

whenever I’m taking stock of what matters, what I’ve made.

Is it still there?

Against all odds, it’s not,

but I need that faith,

that privilege of infinity childhood provided.

That I can look back, kneel on primary tiles

in my designer slacks, and extract imagination.

Please don’t let it be just dust and rubber bands.

I’m made for more

than a pithy obituary in the local paper.

This won’t be how I go, much less how I come

to be remembered.

 

3/16

I sleepwalked, is all,

more than just after heavy dinners and big tests.

I didn’t realize it was on me to know this place

I got plopped into—not just putter through

like a Disney dark ride, every day-glo whoa

and manufactured satisfaction.

I thought it made me stable, but perhaps I can’t be any more

than the next schlub with a dream.

I just pray I’m not too late

 

to not just ask questions

but listen to the answers.

Where are my ancestors from?

What were the Fifties like?

Where did you buy that painting in the piano room,

the one that looks like Venice is burning

upon earth’s edge?

And so on, and on and on.

 

I only hope, in always pressing forward,

I didn’t become the caricature of cowardly indifference

in which I painted my past loves.

A tiny tombstone, an emoji-free text,

an oath to be taken between beats of an atrophying heart:

My world is dying, and I need someone alive

to smile when I wonder out loud.

Why won’t what passes for my soul suffice?

 

1/4

So take my hand—callous, callused,

knuckles busted from brick-wall punches

that were only mostly accidents.

Sell me on this life, on change

in the face of bills and sense.

 

I’m ready to give instead of take.

I’m ready to understand.

And to learn what to do

 

if that’s still not enough.

Advertisements

Poem: “Last Night”

img_5622

Room with one heck of a view.

As a prequel of sorts to yesterday’s post, “First, World,” here’s a poem I put together the evening before the first day of my first “real job” at the end of August. I purposely didn’t post it back then because… well, I just didn’t want to sound like a total pessimist. I figured I’d keep that bittersweet moment’s frustrations to myself, head into the office the next morning with an open mind, and then return to the words with fresh eyes after some time.

And now here we are, in October! Following a review and some light linguistic/structural tweaks, I was pleased to confirm to myself that this piece was still potent as a reflection–that crystallization of thoughts and feelings in a specific time and space, for which I so treasure poetry’s power. It may not be any cheerier than my last upload, but nights inside before big life moments tend to skew nerve-wracking.

How’s work? Well, definitely demanding–and only set to get more so–but I’m pleased to report it’s not yet as dreadful as it felt…

 

Last Night

This is my last night.

Convalescent in comfort:

Ice cream, action scenes, and domino rows of daydreams.

I stand before the mirror on mental razor’s edge,

precipice between pissing around and

the 9-to-5am.

Anything is subsistence living if your standards are high

and your hopes humble.

 

Dinner sits half-dismissed by a tallboy, equally chilled.

This is the free man’s last meal

before prison, isn’t it?

The couch a coffin, the TV’s digital dim a cell door’s welcoming creak.

On the glass tabletop, I envision a prism of discontent:

to family, fractured; to friends, indifferent.

To the ladies, the lawyers? A-okay.

Take it day by day, I say

to myself.

Let no one know how many hours I bought,

least of all me.

 

Because concentration disintegrated seasons ago.

Now, it’s a task to even finish a thriller without

tapping a foot, typing a tweet, rethinking my five-year plan.

That can’t bode well for Day One on the job.

 

So, for now, let me bask in it:

the angular eggshell glow of a lone wall-lamp,

the muffled rumble of rusty Sunday traffic through thick headphones,

the blue hue of my modem, glowering in the media center’s corner

like a punished pupil.

 

If I didn’t listen before it was too late, at least I only missed my own advice.

So little time, so much to waste,

and every second must be accounted for:

what I did, or why I didn’t.

How much longer can I pretend to enjoy my colleagues’ company?

So far, so good, I once smirked,

but likeless Facebook posts speak louder than words.

 

It doesn’t matter now.

That’s how I’ll play the first morning.

Present. Able. Presentable.

Ready and dead, by necessity.

Isn’t that what independence is all about?

Always down,

but never out.

The Bar Prep Poems

IMG_2762

From a rainy day in Buffalo.

I return! While another hiatus from this blog pained me, it was necessary in various ways. First I was studying for the bar exam, then I was taking the bar exam (results pending, could go either way)… and then I spent two weeks abroad for the requisite “barcation”! A trip with family to England, Scotland, Wales, and Ireland was just the (plane) ticket; every day was full of exciting moments and Instagram-worthy sights like this:

13962736_1077048048997128_8893582772143704848_n

A final night near Stratford-Upon-Avon.

But for better or worse, the first of those pictures is more relevant here. For the opening weeks of bar prep, I tried to keep to the Poem-of-the-Week schedule. Eventually, though, my free time didn’t allow for even that, and I was compelled to spend the majority of my time inside nearly all day, nose to the grindstone. Still, I managed to produce a handful of comparatively short poems over a month and a half. Some were, quite honestly, “filler,” but into others I poured with relieving clarity my frustrations about life changes, the prep process, and contemporary world events. For convenience’s sake, I’ve consolidated five of the best “bar prep poems” for this post.

[1] Days

Like a path from campus to a mountain

on the horizon, the only thing separating me

from the past is days.

 

You see me in scenes, a scrapbook clasped shut when backs turn,

but life isn’t a film that ends,

that eclipses with a resolution, then back

on the shelf next to a new time and place

and cast of characters to select,

bound together by glue or gigabytes.

There’s no dividing line between baby teeth and a jaw clenched mid-final

but the one burned by sunsets.

 

So in my head, ten thousand times laid to bed,

I’m still just the kindergartner puzzling over how to count change,

smashing controllers over bad videogames,

screaming atop the stairs when I don’t get my way.

I’m still only the middle-schooler who can’t talk to a crush,

who says gay to complain,

who bullies one boy and punches another sitting down.

I’m surviving high school as I write,

plowing into puberty like a retaining wall,

cradling a pillow when I skip out on the dance,

doodling a dozen would-be book ideas like a whip to ward off the lion of writing them.

Undergrad runs in the background of my mind like a bassline:

Trudging cool Seattle streets alone,

mouthing lines of plaintive pop songs into a smog-lit sky;

always tired, never satisfied.

Sandwiched across square miles

between interchangeable exchange students

and liberal arts darlings who think heartbreak perpetuates the patriarchy.

And higher education still echoes

with every lesson but the ones I paid 100k for:

Nobody actually cares what you do for fun.

If you think they’re too good to be true, you’re right.

Maturity is not taking breaks for weeks straight and still wanting more.

A beautiful view, but no perspective.

 

We can look down that path

and plan a hike.

Boots. Trail mix. A mortgage and diverse portfolio.

Contemplating the climb is tiring enough,

but History isn’t the mountain—

it’s the backpack.

The burden we shrug and slouch under,

of expectations, adulation, admonitions, prescriptions and proscriptions

spilling out of every pouch and zipper.

Every day, every name learned and forgotten,

every skill taught and taken away,

every to-do and what-if determined or discarded—

absent a crack to the head, it’s going nowhere.

Held hostage by memories, there’s no talking down

trying to measure up.

And looking up, to another sunrise

Past the peak,

 

we can shift our legs, try to redistribute the weight—but in vain.

The load only grows,

and this trip, in the end, is solo.

 

[2] Enough

It’s never quite.

Upper back ache, slumped over

the monitor, mind strays—

the key-jangle of studies to come

and Wikipedia search possibilities.

Snap to, for another MCQ,

only to drift again,

shift like the apartment foundation

on leather under summer heat summoning swampass—

as if there’s time for laundry.

 

Preview, view, review,

and still not comprehend it all.

Breaks bend, extend into building a bookshelf

or Swiffering the kitchen.

My mind is a ball on a slight slope, always

in need of nudging to keep it from rolling away.

But I can be distracted by distractions

or by the thought of them;

either way, progress gets put on hold.

 

Surely normal people pay more attention, I say.

Maybe.

Maybe I got this far on charm and chance, a roll of the loaded dice.

Maybe less disciplined parents would’ve put me on Ritalin since middle school.

It’d be cool, in a sense, to pretend my trials are extraordinary,

to install a glass ceiling for my work ethic

and laud those who run across it.

But I have everything I need,

 

for better or worse. The curse

of competence is discontent with just that.

Get a higher percentage. Run another drill.

Reread that sentence. Give me an example.

Every second, an opportunity

to move on, home in, bone up, flesh out,

and doubt, doubt, doubt.

If it turns out I fail, I know who to blame,

 

but it’s the same guy I’ll thank if I win,

until I reach another challenge again.

 

It’s the perfect cycle of panic, a silent fire alarm:

Everything will be okay

as long as I don’t think it will be.

Everything I try will suffice,

as long as I don’t think it’s enough.

 

[3] Catchup

There is confidence in when.

Consecrated delay, a prayer

for the future: another person, inverted

from this one: willing, able, stable.

The invisible blood blister of a torqued shoulderblade

rejuvenated to soft unobtrusiveness;

the paper-eyed dry gaze given a new coat

of sleep, to glaze over anew at the sight

of bullet points and blank lines to fill—

they’ll make more sense tomorrow.

 

Not postponed, just prejudged:

an assumption, wishful unthinking,

that this internet-addled eight-track mind

will digest it like fiber, when experience bangs on a sliding glass door,

mouthing in vain

to prepare for a restless nesting doll

of double-checks and jotted notes.

 

But it can’t all be blamed—we must maintain, whatever break it takes.

Vacuum judiciously. Clean the countertops. Do the dishes.

One wishes for a reason to season the day with chores,

those classic domestic dalliances,

and leave but a peppercorn of practice before bedtime.

All of the withdrawal from a sweaty slump before the computer,

none of the toothache-type guilt

from filling that gap with games.

 

I’ve seen this before,

the weekend’s allure. And sure,

it’s predictable, but that doesn’t mean it’s the same.

Variety is the prize we crank a crane to catch after work,

because that goal won’t come cheap.

But if I can give myself permission to take one evening off,

the rest don’t have to follow.

 

[4] 2016

I know how it feels.

The rush of division.

The high of mighty.

Every catastrophe erupts a pyramid in our midst, and we all tumble down the sides

to make a point with the pain still fresh.

No war without retort anymore,

no riot without secondhand rhetoric,

and the Conversation inflates hate and cowardice until ambiguity asphyxiates.

 

They can’t be blamed.

Terrorism is a natural disaster,

police racing headcases to see who can kill faster,

and so it’s satisfying to put on our passive war paint,

lament the end of humanity and order

from our middle-class palaces.

Pity is mechanical, the sickening cyclical,

as if God ever cared to let hashtags be prayers.

 

But there is peace

in the median, when mean is the mode.

It may not make a great thinkpiece, hitpiece, or placard

thrust aloft in the background of a montage

of martyrs and marauders,

but ambiguity is a luxury long lost.

We can say “ok.” Meh. Maybe. I can see that

both sides have a point, but I’ll sit this one out.

The world has always begged for salvation, sagged at its four corners.

I can all but guarantee the same souls who say “Silence is violence”

crank their earbuds when they pass a homeless person.

 

I understand.

It’s the fear—deep, a hard seed in a bitter fruit—

that the labels we claimed as our base are just ornaments.

That anyone can kiss, kill, donate, or decimate

in the name of a cause we wanted to die (for).

That all we thought was solid is air.

 

It scares us, and so we compare

and contrast: root out the True Scotsmen,

trumpet excuses and exceptions.

Better to err on the side of spiteful

than admit that behind every title,

every Twitter handle or burnished badge, is

a person. Private. Finite. Tired. Trying.

 

We’re lying

when we act like this is as bad as it gets

or as bad as it’s been.

We have the power now to be patient—

to toe the line, keep more than two sides in mind,

and check our facts.

 

I know.

It’s alright.

But this world can still make sense,

if you don’t force it to.

 

[5] I Earn

my inertness.

Tell myself the difference is in the buildup—

a prog rock prelude, not a poppy count-off.

But the end is the same

four chords.

See? Easy enough.

 

Such is hindsight. One’s mind

might perspire—mental hyperventilation—

knuckles digging into bunched-up sweats…

only to lift this skin out of bed and have nothing to hold onto

now that the trial is passed.

 

The perspective, reflected in an invisible thought bubble:

Anyone can play games all day, but I worked for it.

Sure, I can backslide

on diet and discipline,

but at least most folks’ to-do is my back-then.

Burdens buoy me; I tell myself

the effort was there. The obligation was a station

I sat down and refueled at;

not a brick wall I blew through—drive first, take painkillers later.

 

It’s a temperamental tightrope, this balance

between decompression and depression.

A flat affect could be calm or sloth, depending on the audience.

Good thing I’m getting better at social cameras,

though the blooper reel never closes.

 

Don’t tell me I don’t deserve this,

I insist. I could list

everything I went through to get here, but it’s self-imposed.

No more external than drug abuse or loose morals,

just the converse.

Gotta spend money to spend money.

And it’s funny:

 

The less I work, the less there is to work out.

Time decides our priorities for us,

so when I want to do nothing

that matters, the choice falls

to the black-lit sharpened strips of digital time.

 

Let them be

kind.

 

Poem of the Week: “Cornell Scraps”

Apologies for the lack of a poem last week! I had finals… and given the topic and scope of this piece, I decided it needed to wait a touch longer anyway.

Ever since high school, I’ve habitually taken notes. On what? Well… everything. Potential story ideas. Interesting quotes, overheard or imagined. Goofy puns or jokes. Rap lyrics. Concepts for inventions, videogames, and experimental art exhibits. 90% of the time, I have no idea what if any writing I’ll use them in. But, given the fleeting fallibility of memory, I’d always rather jot/type something down and never use it than forget it and be hard up for imagery or snappy dialogue later!

When I moved to Ithaca in 2013 for law school, I started a separate dedicated document just called “Life Scraps.” Later, I renamed it “Cornell Scraps.” Now, with graduation mere days away, I decided to really reflect on these random moments and musings for the first time. In so doing, I saw the potential for a substantial poem. And so, out of what I realized had become forty-odd pages of grievances, late-night confessionals, and idiosyncratic one-offs, I selected and abridged or expanded the most striking lines to produce this.

It’s long, disjointed, and may not make much sense, even by the end. But, for better or worse, that was the last three years!

3years

Three years of Ithaca being gorge-ous.

Cornell Scraps

 

I.

 

Outside my dorm window,

something chitters—cicada or sprinkler.

A bird call like a quick firework’s chirp.

An odor—either paint or rotten apples.

The common room, humid, smells of spirits, aflitter with tiny flies—

but at least they got the best Die Hards.

Cutlery comes and goes from the communal kitchen, like artifacts

passing through some high-tuition Bermuda Triangle.

 

At the dean’s home, a broken basketball backboard

heralds our class’s arrival at the drive.

Crickets congregate about white windowed reception tents,

drooping like jeans over hand-me-down dress shoes.

 

I’d moved in with optimistic discontent but,

walking ‘cross the gorge some evening next,

I felt a great emptiness within, as if

my life were a blurry eye, a voice gone hoarse mid-song,

as clouds closed over tentative night like a flowerbud.

And on weekdays, sudden bouts of belonging

fell swift to chronically displaced dissatisfaction.

I can’t stand Greek Row, but maybe I just lament not having a veranda

and roof to climb onto.

 

Mixer time. At the club,

the floor glows crime-scene UV;

it’s an arms race of debauchery,

and our livers are the battleground.

The nightly grind, never to mind by sunrise.

And that’s just the first week.

 

Fall’s descent brings sticky heat.

Thunder stutters, God

dragging a desk across concrete clouds.

Rain wreaks streaks, plasters the parking lots.

Inside sounds nice, but at a cramped laptop

my hopes are notes on a napkin, crumpled in anticipation

until the words blur to abstraction and all I have are withered strips

with no addressee.

 

Now, not saying class bored me, but I once wondered in one

what guy piled all that bread in a truck for the “We Can’t Stop” video.

Because my soundtrack is Skrillex and Joe Hisaishi,

for a romance with Holly Golightly meets the Girl with the Dragon Tattoo,

dressed to the nine-point-fives by Hot Topic and Watson-Kennedy.

So I start to love going to sleep, because that’s the only time

I don’t dream. Rest unassured,

this head is not a pleasant place to be:

strung out on caffeine, blind ambition, and unrequited love,

my brain needs icing down.

I want to live life at the speed of verse—because of course

I would never kill myself. Not when this world still has synthpop,

Emma Watson, POG juice, butterflies,

and the tone it makes when you strike a tuning fork.

But with bedhead that’s passed “restless cop”

and “wacky high school sidekick” straight to “Goku,”

the rock-fountain trickle of my Brita refilling is a bit Sisyphean.

Life’s path feels like a backward shirt: it fits, but something’s off.

 

Winter waxes,

broken pie-crust tire treads in the snow,

and icicles dangle like fangs from parked cars.

Chinese takeout splays across the sidewalk like collapsed partygoers,

disgorging frozen neon pips.

Green signs glare down the halls: “QUIET: EXAMS IN PROGRESS.”

Still, I get to know a gal at the post office

through the letters I send and tees I test.

Granted, it didn’t last—like a bad twist ending,

she was out before a month.

But don’t worry, hon. Some day you will be in New York

and everything will be awesome.

 

Nevertheless, anger breaks in waves—a planned impulse

—and from the crest I see the smooth sailing of adolescence

giving way to rougher waters of adulthood.

Predator or prey, adaption matters, and this ecosystem is more concerned

with cardigans, judicial interns, and Friday night shots

than Spider-Man, postmodernism, and riffing on Xbox One.

And if the girls don’t have their nose up in the air, it’s down in a book.

Resistant, I might’ve cried my vice is beauty, but

after a brief reflection that turned into a soul-search,

contemplating complimenting the strikeouts with Your free time is a lucky guy,

I put passion on a pedestal so high I couldn’t even see it.

Like standing with my back to a chasm, I know

some comfort awaits, biding time in a peripheral vision,

but if I don’t turn and look then it can’t entrance me.

 

But now that backwards shirt is just outgrown,

because setting my own standards isn’t productive—

it’s a tarred-feather coat of doubtful guilt.

An apologist’s résumé: I may have a 3.49 GPA,

but I clean out the sink after I drain the pasta.

Planning exodus from the land of milk and honey

to the land of wine and awkward small talk.

Sometimes I say things just so they’ll die from exposure to air.

With every new social circle drawn, I promise

I won’t be the neurotic guy again,

but finals week makes liars of us all.

 

Body of a jock, brain of a geek, soul of a goth,

schedule of a preppie, dreams of a hippie—I got this.

In NYC, there’s a leaky halal truck towed ‘round the corner,

plastered with an ad for the Heathers musical,

and washed-out, outdated tabloids stock the sides of sidewalk kiosks.

Of my Manhattan Madame I’ve said enough, except that

I don’t mind putting things on the back burner

as long as they weren’t smoking hot.

Sharing sleep and little else, I think of stupid things

to untremble my muscles.

I think of running out of bed

and lying against the wall of the ground-floor grocery store in my boxers.

I think of punching a brick wall.

I think of riding a bike into a fence, rolling over, and playing dead.

It’s like attraction is a garage door opener: enough distance,

and the signal just stops working.

So I can’t wait to go back;

there’s nothing left for me here but one-way sexual tension and dog barks.

 

II.

 

A leaf drags down the street, as if pulled by invisible string from a car ahead.

Flow but no focus:

I still haven’t seen The Muppets Movie, I think

from the back of a reproductive rights panel.

Got a formal text tonight—better put on my dress grammar.

But first, I have to drain complacency like a wound.

All my flights of fancy are in a holding pattern, or grounded outright.

At least, I’ve lost the ability to tell

how much intimacy between my peers is tongue-in-cheek.

I tell myself I won’t live as a dependent clause,

but irony is gonna play hell on archaeologists.

I worry the Internet turns the world into a circle of paranoid, passive potheads

dreaming in dark rooms.

We are hot dog culture: gross and ground-up, but easy to digest.

I’ve got this game I play where I try to see

how many people on Facebook won’t talk to me.

It’s up in the dozens, and I feel like

earlier in life was the film, and now’s just weathering credits

‘til the reel runs out.

 

Going back to sleeping alone is like reverting to DVD from Blu-Ray.

My heart is an open offer

but my grudges have half-lives, and

there’s nothing less interesting than beautiful people complaining.

So it’s fun wondering what I’ll look back on as so simple about this,

especially when true love is like a UFO: you don’t hear about it as much

now that everyone’s got smartphones.

If only I, Inception-like, could just spontaneously be talking to someone.

Until then, I identify as Straight But Not Applying It.

 

All of my takes are double-takes;

I think I’m developing smirk lines

from parties (or, “going friend-fishing”).

I’d say I felt like an empty seat, but people sit by those.

 

Snow floats in whips and whirls, confetti in a quiet blender.

A girl argues with a guy on a porch overlooking a shore of Solo cups—

well-lit, dramatic,

a Disneyland dark-ride of campus life.

Me, moving on is Indy trying to swipe the idol: I gotta really think it over,

and if the replacement’s not the same weight, then bring on the emotional boulder.

So no, Buzzfeed, don’t tell me what my new favorite video is.

Don’t tell me who to hate.

Don’t tell me to nod politely at X times Y celebrity was more interesting than me.

This godlike technology is for education, entertainment—not building new wings

in my inferiority complex.

 

No, I want love like TV seasons.

Maybe it’s The Simpsons: on for decades, haters be damned.

Maybe it’s Firefly: a brilliant idea snuffed out in its prime.

Let’s make it a competition to see who can miss the other the most.

And hey, who do you think buys all those nightmares their daydream dresses?

At the least, someone in this subway, statistically, has to have nudes online.

 

Topside, sirens blurp like the Lord flicking water

beneath the trapezes of power lines.

I could admit I’m not confident, and you won’t mind

out loud—but the thought will still seep in, like a leaky pipe under an abandoned flat,

and I’m recycling-bound like To Current Resident.

If talk is cheap, then revenge fantasies are seashells and bottle caps,

so while I can’t act, I’m quite comfortable shouting in crowded rooms.

Trying to find the right song to unfriend old crushes to

while I move through Zeno’s Breakup:

Music for revoking any fucks previously given,

in tune with the phases of the mood.

Earbud cord peeks between my jeans and shirt like a spiritual insulin kit.

Balance doesn’t always mean staying in the middle;

it depends how heavy each side is.

 

Electric beats thumping out of a juice bar,

people staring at supercomputers,

glass skyscrapers soaring into the clouds…

Ever finally feel you’re living in the future?

Only this era, we’re building the meteor and bringing it down ourselves.

Everyone in my News Feed is closing deals, posing with koalas,

or bungee golfing in Antarctica, and I’m just taking a stroll, thinking

about how weird it is that Scooby-Doo had a laugh track.

 

My patience is the Earth’s crust: it’s thick, but crack it

and there’s nothing but ten thousand miles of fire.

I want to be a monitor, not a processor, never mind that

I once tried to avoid eye contact with a cardboard cutout.

Fluent in fantasy, my brain is a perpetual motion machine

that runs like The Hobbit: fast and distracting, but only ‘cause it’s closer to reality.

And yet my unfinished business as a ghost would probably just be watching

all the videos I bookmarked in undergrad and forgot about.

 

III.

 

The blood moon eclipse.

An aged penny if good,

a molding peach if bad.

Not even the cosmos gets me decisive.

I decided to make all the things I say worth saying

slowly, but I’m still making my goal a worst-case scenario.

 

Something went wrong, somewhere, in the past,

but it wasn’t just me.

Part me, part world, part my reaction to both.

Like short sheets trying to fit a frayed mattress:

pushing, pulling, coming off

at one corner for want of fitting another, never realizing

until I felt for its opposite and found it bare.

Or waking up to tatters beneath me, thinking it so secure the night before.

 

The rain was light yet thick, like falling mist,

suffusing streetlights with amber halos.

Another bar tab not bothered with.

They’re not even interesting assholes, they’re just boring assholes.

 

I lied when I said I’d rather die than do the same job forever,

I think. It just felt good to sound determined by choice for once,

because I need to make things—with my hands,

not my mouth and wallet.

And whether it’s an international bestseller

or the popsicle stick castle that went to shit in fourth grade,

it exists.

Substance.

Fighting back against entropy.

 

So what can you create today

that wasn’t there yesterday,

and that you’ll be proud of tomorrow?

Savoring the world is priceless like a funeral.

Good memory, bad memory—it’s still just a memory.

Not made but replayed,

and in three years,

I’ve repeated enough for a lifetime.

Poem of the Week: Summertimes

Summer is getting close! That it’s a beautiful season (at least at my latitude) is a given; that it can be a state of mind is a cliché. Still, I combined both sentiments under the same confessional-meets-inspirational attitude I’ve approached the form with lately and produced what follows.

IMG_2719

Sunset across the Central Park Reservoir, 6/6/2015

Summertimes

If seasons are sentiments,

summer is nostalgia,

even when the memories aren’t ours.

 

Halloween heralds a dry spell,

the last vestige of sugared debauchery

and test-pattern provocation

before winterwear and wool hats

shelter spontaneity.

Not to dismiss Christmas,

but the chances we treasure were taken

outdoors.

Yet this side of the solstice,

it’s too hot to be insincere

in body or mind.

 

By morning, the smog’s a balm,

calmly salving skyscrapers

and alleyways in sleepy haze.

And, adulthood aside,

the city’s so pretty at night:

A leviathan Lite-Brite patchwork

that, tracing the seams by sidewalk or subway,

all but pushes you to take center manhole

and twirl mid-intersection,

taking in a panorama of possibilities,

unburdened by overcoats.

Karaoke. Barcades. Broadway. Stargazing.

Sweat sticks, prickles the scalp,

but anything’s ignorable when you’ve got one thing

to look forward to.

 

But one year, waking in single digits to blinding curtains,

packing week on week with tours and to-dos like a tight suitcase,

changing the bassline of every newfound tune into car horns,

verses to cursing,

the beat to forty thousand footsteps

never headed my direction,

I pined for

 

a pine forest

and cabin in foggy solitude.

The film-pitch future

a dozen Tumblrs promised us Millennials:

A little loft; bereft of box spring,

a mattress buttressed by boughs of Christmas lights

and a standing fan.

Hardback classics scatter ‘cross the shelves and hardwood

in improbable stacks.

A skylight, so glow-in-the-dark stars

can compete with the real ones.

And a throwback van, foldout couch its cargo,

to park and ponder in crystal-cool Vancouver,

the doors as wide as our minds.

 

We could swim

(of course there’s a lake adjacent),

shadows casting sky

on the water, swaying ‘round our ears like a flipped pillow

that relaxes the intermittent chitter of insects unseen

into a cool throb.

Like childhood just went on vacation

and came back with perfect clarity.

 

And, in abstract,

companionship.

A clammy collage of models and male entitlement.

I said I’d settle for a metalhead belle

with a key for a necklace, a nervous system

of mandalic tattoos, Chucks shoes,

a wardrobe full of flannel and beanies,

a septum piercing, hair down to her gauges,

and a look of withering eroticism that says

I have been around the block, boy,

and you are nothing special,

but if I offered to eat a whole pack of Air Heads and then make out,

she’d reply your favorite flavor first.

 

A closet quarter-life crisis.

Development not arrested but under surveillance,

we tell ourselves it could happen.

#LifeGoal. #RelationshipGoal. #Dream.

Pepperoni pizza and Netflix.

Soft-focus photography as a five-year plan,

if only we can finally get on that penny-farthing of conversation.

Can we go forward to the time when…

Ironic it’s the ambient heat and happiness

that out our ennui.

 

 

I writhed under deadlines,

dull stares, and thoughts of forever

at crowded post-semester pregames that left my skin singed

and tank tinged with scents of cannabis and flip-cup flecks.

Partying as pantomime.

When someone asked why I wasn’t more upbeat, I replied

I’m just a different kind of person.

 

Yet, waiting for the wind, I realized

caution can be thrown without it.

Looking back

over the fence, to that growing grass, I decided

I wasn’t buried but planted.

And now, sunglasses on, shorts at the ready,

three months can mean something

more than either amusement or acting it.

Some summers may be legendary,

others mundane,

but there’s no shade to take in desperation.

In flying to the future,

some baggage must stay at the gate.

 

So with the regrets, frets, and what-ifs left to bleach—

all things not considered—

I guess, if I could keep one memory

for when the sun is high and the sky is Kool-Aid blue,

 

It’d be the fire pits.

Campouts, as a kid.

The smells: the blackly savory taste

of a BBQ lit anew, the bellicose tang

of fallen fireworks across my grandparents’ lawn.

The give and pull of comfort,

brother and I racing around the flame to flee the breeze.

Family on mossy, knobby logs, monitoring impaled marshmallows

that’ll either alchemize to gold

or go up in the embers like the Terminator.

The greasy security of copious sunblock still intact:

Head, shoulders, shins and nose.

Two yellow jackets trying my patience in tides.

Smoke and bare knees.

Quiet. Close.

No worries except the Mario level I’m stuck on

and if I ate too many hot dogs.

 

A composite,

probably.

Selective reflection, a doctored Polaroid

in the corner of my mental mirror.

But one unhindered by trying

to right a wrong, race a clock,

or chase a secondhand fantasy.

And that’s warm enough for me.

Poem of the Week: “Ennxiety”

As an introvert, I have a history of social anxiety. It’s nothing that needs medicating, thankfully–for better or worse, I’ve generally brought it upon myself. It’s hard to tell if I’ve improved over time, though–once people have known you long enough, changing their image of you is difficult without coming off as desperate. I tried to touch on some of that with this poem.

IMG_1568

From 2013, the year of unnecessarily long hair.

Ennxiety

Time travel is possible

on paper. Life, loose-leafed, smooth

to the touch, invites experimentation.

One can skip, flip forth and back,

or savor prose, mull over mysteries.

We, readers, grow

spoiled with fictive freedom.

 

And so society strikes me

as the poorest story: immutable

as ink, yet ever uneditable.

 

School introduces it.

Classrooms packed with cliques to pick

or corners to coopt.

Day one: glances flit ‘cross the room

like silent fastballs. Mental lists assemble:

Diehard. Tryhard. Potential network contact.

And, I’d assume, friends without ends.

So when like an orchestra warmup, eager impatience in E minor,

zippers and binders close—

people peer in pockets and watch the clock—

I have to decide who to talk to.

 

But eye contact’s a contract, and

if I mind the floor or door, I couldn’t be faulted

for breaching it.

Interaction means reaction, and—elephant-esque—

I remember every errant one I gave and got.

Like a tight helmet, the weight of faux pas past strains my brain.

 

Still, I’d type events in my calendar.

Dress well. Arrive on time.

En route, the swell and quell of motivation:

Earbuds pump optimistic late-night tunes

to diffuse the cloud of an absent Plus-One.

Standing on the fringe of a booming party’s blast radius—

dimmed, dumb—I’d clutch a Solo cup until my hamstrings stabbed

and I searched for a chair.

Token goodbyes in tow,

I’d escape to moonlight,

Fists low and heart rate high.

 

Let’s hear it for the spirit

of the staircase:

Charm, like lead vocals,

sounds so much better in your head—

theorizing all the wry things

I could’ve sprung on a glamorous diameter of acquaintances:

Workplace anecdotes. Political predictions. March Madness brackets.

 

And so discontent enters tradition, a given:

different verse, same as the fifth.

Déjà craint.

The predictability of an inability

to chameleonize.

 

I’d say it was a choice, my long-term voice.

An addict’s rationalization.

I can start any time.

Young independence means the side effects of defection

before you’ve pledged allegiance.

Kicking and screaming isn’t always visible,

 

but the dents and derision are.

Without the pop, culture was my cod liver oil,

but after enough awkward gatherings—

a virtual void of group photos,

the lack of a link to amicable hashtags—

I learned to fear the look on people’s faces when they realized I thrived

on something they couldn’t care less about,

rubbernecking at childish delights.

A babe magnet with the same polarity:

Those go-yonder eyes on a girl

when I laugh too hard, speak too high, prefer chiptunes to R&B.

After that, every casual ask is like I accosted them in an alley,

because the past plasters an invisible nametag

that can make random questions

scarier than silence.

 

First impressions are the deepest.

The social concrete dries fast,

and months later, I cemented in:

Interrupting people’s 2048 games and Duke scores for a hello,

then taking seats for a trio: my pizza and phone.

And when I approach to bore through some boredom,

it’s like my invitation to relation is an exhalation

of tobacco, and they kicked the habit.

 

Anxiety is when existence in the plural takes exertion.

It’s feeling a traffic signal redden, like a dry heave,

and taking the crossing a block away instead of being on the driver’s mind

when I enter last-minute.

It’s walking the long way ‘round campus

because repetitive respect feels like weight reps, and I’ve already maxed out

on eyebrow raises and hushed heys for familiar faces.

It’s peering over dancing crowds like a prince

or primatologist, lamenting

how I’d rather hear Van Halen wailin’

than the Bacchanalian beats boxing my eardrums.

And it’s every conversation a tennis rally:

Every yep and sure a nervous volley,

pulse rising with the count;
I got this becomes for how much longer?

Or a lungful of air underwater:

Dark and harsh, pressure mounts—muscles tense—

and it’s only

a matter of time

until

I

gasp and say something stupid.

 

I’ve wondered if there isn’t some part of me

I need to take out,

with a black belt in a back room.

Not self-destructive, but self-constructive.

Because what if we’re just monkeys with a terrible disease?

Afflicted ages ago with an urge to purge

our hurt, flash our worth, put our hopes on hold

with alcohol and skin.

A need for attention while we hide our intentions.

Kicking the can of our own inadequacies

down the road, only

to get stood up on a date with destiny.

 

If so, I guess

education is evolution,

and it’s a futile centrifuge

to try and change how others see you

without checking your own mirror.

If you want to be remembered, chase something

worth showing off, or going home to.

 

The world has no proofreader.

No word cap, no delete key

for slow scenes or broken characters.

But I need to believe there’s another chapter

just pages away.

Poem of the Week: “The Teenage Waste Land”

I first conceived of this poem years ago, when Honors English introduced me to T.S. Eliot’s “The Waste Land” and I got an urge to produce a modern version that’d aggressively borrow from my own favorite stirring songs and stories. It sat there until now with only a few lines (that I swiftly deleted), but the tone remains what I had in mind–albeit more worldly now for the self-awareness I’ve gained.

In the interest of treating this like an airlock for my own melancholy, I didn’t listen to any music while writing it or reflect on songs I used to listen to for “inspiration.” If “ISYMFS” was cleaning out my closet, consider this taking the bags to the curb.

IMG_1229

The Teenage Waste Land

This love was out of control.

Tell me, where did it go?

Cold, open—I crawl from the rubble

of bubbly optimism come crashing down

like C4 to a ceiling.

Heels to headboard, bed is a hospital ward,

recuperation indefinite. Now all I can do

is lay in my room, fall asleep, dream of you,

then wake up and do nothing about it.

Songs of ready-made restlessness

spoon-feed solidarity to a tired heart.

 

And yet…

take a number, I guess.

We all have a story to tell, so it might as well

go through a few drafts.

I still remember how I made you feel, once upon a time,

but the market for fairy tales ain’t what it used to be.

I will soon forgot the color of your eyes, but I don’t mind.

Everyone will die and lose,

so what will you do with the moments before it catches you?

Never asked, always implied,

and I am thinking it’s a sign

in the rearview, those lines I cast

before I cut loose and floated away:

Just say how to make things right, and I swear I’ll do

whatever makes you happy,

if it means a lot to you.

Put like that, I get why

guy drama is relationship strychnine.

 

So, know what?

Cast your stones, cast your judgment—

you don’t make me who I am.

I’m a patient man, as you’ve discovered,

and my passion was pen and paper all along.

Are we only damaging what little we have left,

to ever reconnect?

Hell yes.

Nature abhors empty shelves;

the stories of my generation won’t tell themselves.

Let these hazards of love nevermore trouble us.

Growing old’s a fact, but growing up is optional.

 

Yet every line I write’s a cost-benefit analysis.

Is the world better for hearing how morning light looks through my blinds,

or a childhood anecdote recounted in rhythmic alliteration?

And who would know once I do?

Quickly but surely,

circular illogic draws me back to routine:

wait and debate, try and flail,

rush and submit… shit.

One rejection:

a mental injection of barbiturates,

carte blanche to bitch about luck

and how there’s not enough time.

I guess I’ll go home now.

 

But it is plain as anyone can see, we’re simply meant to be

the person we picture when our head touches down—

that gap between dim aspiration and REM respiration.

By morning, I always find the words

when it’s too late to let them slip

and fall, for fear of my stand looking awkward.

Dreams are the only thing smothered above a pillow.

 

So a few weeks, and I’m back

on the horse—a kick, and it’ll stick!

I swear, this time I mean it.

Yet self-set deadlines feel like a vice

of virtue.

So I vow if I don’t follow through…

well, shoot.

Eh, some hell will break loose.

To penciled-in punishment, what a shock when there’s mere pages

for all the ages I’ve celebrated.

 

Maybe we were made for each other,

and maybe the world will look like this forever.

The kind of lie that stretches out hope

like a prisoner on the rack.

Still, palm to palm or ink to page,

it was believable, from a window looking on an alley.

I know I sound crazy—don’t you see what it does to me?

The chance I simply swapped rash ambitions,

the artist’s star in lieu of a lover?

Feathers to gold, the value unbudging?

The pleas for an ingénue cross to an audience:

You’d be good to me, and I’d be so good to you.

Why can’t you just be lonely?

 

This suit, this smile,

this gel-shellacked hair, this friendly Facebook exchange

is just a part I portray.

And I know exactly how it got this way:

Everybody needs some time all alone,

but if you left it up to me,

every day would be a holiday from reality:

a freestyle frenzy of riffs, rides, cliffside hikes,

artificial flavors for the screen and stomach.

It could be seventy-two degrees, zero chance of rain

—a perfect day—

and I’d still take ten thousand gigs of digital infinity.

Too much of anything is too much,

except when the alternative is failing

at the only work I ever chose.

 

I always get in my own way,

but dammit, that means I’ll hit myself on the way to the ground

and keep fighting on.

I can’t change the way I see the world,

and I can’t justify my reasons, but

 

if life is a sea,

then a living is a boat,

and hope is the shoals to which I sail:

some distant, shining semblance of fulfillment.

But it’s so far away,

and the rowing is so tiresome.

It’d be so simple to just go overboard, sink into an ocean

of promotions and prefixed expectations—

boxes to check, T’s to cross, watches to gild—

and let crash the waves of rationalization and procrastination:

action movies, YouTube, Steam, doodles and daydreams.

I need your discipline.

 Just tell me the way I ought to feel, what’s right and wrong.

 

A writer’s work is never done,

but I’m addicted to being finished,

and I need comfort like water in my lungs.

So if I ever asked anything

of the ones who’ve seen me this far,

it’s this:

 

be there, my first mates,

lifejacket at the ready

made of bright red faith.

 

Dive in when I’m down.

Save me from myself.

 

Don’t

let

me

drown.